But economic independence and literary success didn't constitute an adequately happy ending for a woman in 1868. That's what I started with," Gerwig told .Īlcott wanted Jo, her fictional alter-ego, to end up a "literary spinster" like she did. "I wanted to give her an ending she might have liked. Gerwig, in the year 2019, had the chance to create the version of Little Women that Alcott, hemmed in by her era's strict Victorian sensibilities, could not. The way Gerwig talks about Alcott, it sounds like she's on one end of a century-spanning relay race, where the finish line is fulfilling Jo March's destiny. I felt the weight of it every day," Gerwig told, pointing out that she and Alcott were both 36 when they made their versions of Little Women. ![]() "I felt being in the presence of the place where she did the thing allowed me to do the thing that I wanted to do. ![]() The feeling of connection only increased once Gerwig got to Concord, the town where Alcott was born and buried, to film Little Women. "I was seized by the spirit of Louisa May Alcott," Gerwig told The Hollywood Reporter earlier this year. From the inception of the project on, Gerwig sensed a spiritual connection between her and the author.
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